On November 17, 2021 I hosted my last online panel for a while at the YIVO Institute for Jewish Research. It’s now available online, so if you missed it here’s your opportunity to check it out at your leisure.
All political movements use music, and National Socialism is no exception. Both Hitler’s Nazis and postwar neo-Nazis have used different kinds of music in various ways. This panel will explore how German Nazis used music to help facilitate mass murder during the Holocaust, as well as how neo-Nazism became entangled with various music-based subcultural scenes and their connections with political organizations. From the NSDAP to the American Nazi Party’s record label, to the Nazi skinhead movement, to NSBM (National Socialist Black Metal) and even fascist reggae, this panel will document and reflect on how, why, and in what ways National Socialism has come to be tied to various musical forms.
This panel is moderated by researcher, writer, and activist Spencer Sunshine and features Luca Signorelli (author of L’Estetica Del Metallaro), Shannon Foley Martinez (consultant for American University’s Polarization and Extremism Research and Innovation Lab), Kirsten Dyck (author of Reichsrock: The International Web of White-Power and Neo-Nazi Hate Music), and Edward B. Westermann (author of Drunk on Genocide: Alcohol and Mass Murder in Nazi Germany).